Title: The Idea of You by Robinne Lee
Publisher: St. Martin’s Griffin
Genre: Contemporary, Women’s Fiction
Length: 384 pages
Solène Marchand, the thirty-nine-year-old owner of an art gallery in Los Angeles, is reluctant to take her daughter, Isabelle, to meet her favorite boy band. But since her divorce, she’s more eager than ever to be close to Isabelle. The last thing Solène expects is to make a connection with one of the members of the world-famous August Moon. But Hayes Campbell is clever, winning, confident, and posh, and the attraction is immediate. That he is all of twenty years old further complicates things.
What begins as a series of clandestine trysts quickly evolves into a passionate and genuine relationship. It is a journey that spans continents as Solène and Hayes navigate each other’s worlds: from stadium tours to international art fairs to secluded hideaways in Paris and Miami. For Solène, it is a reclaiming of self, as well as a rediscovery of happiness and love. When Solène and Hayes’ romance becomes a viral sensation, and both she and her daughter become the target of rabid fans and an insatiable media, Solène must face how her romantic life has impacted the lives of those she cares about most.
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I suppose I could blame it all on Daniel.
Two days before my planned getaway to Ojai, he showed up at the house in a tux with our daughter, Isabelle, in tow. He’d left the car running in the driveway.
“I can’t do the Vegas trip,” he said, thrusting a manila enve- lope in my hand. “I’m still working on the Fox deal and it’s not going to close anytime soon.”
I must have looked at him in disbelief because he followed that up with:
“I’m sorry. I know I promised the girls, but I can’t. You take them. Or I’ll eat the tickets. Whatever.”
An unopened package of Da Vinci Maestro Kolinsky brushes was lying on the entry table, alongside a set of thirty-six Holbein watercolors. I’d spent a fortune at Blick stocking up on materials for my artist retreat. They were, like the trip to Ojai, my gift to myself. Forty-eight hours of art and sleep and wine. And now my ex-husband was standing in my living room in formal black tie and telling me there’d been a change of plans.
“Does she know?” I asked. Isabelle, having retreated immedi- ately to her room—no doubt to get on her phone—had missed the entire exchange.
He shook his head. “I haven’t had time to tell her. I thought I’d wait and see if you could take them first.”
“Don’t start, okay?” He turned toward the door. “If you can’t do it, have her call me, and I’ll make it up the next time the group’s in town.”
It was so like him to have a Band-Aid for everything. To walk away from commitments guilt-free. Would that I had acquired that gene.
Isabelle and her two girlfriends had been counting down the days to see the band August Moon, a quintet of handsome lads from Britain who sang pleasant pop songs and drove tween girls mad. Daniel had “won” the tickets at the school silent auction. Paid some formidable amount to fly four to Vegas, stay at the Mandalay Bay, and attend the concert and a meet-and-greet with the band. Canceling now would not go over well.
“I have plans,” I said, following him out into the driveway.
He slipped around the back of the BMW and withdrew a cum- bersome bag from the trunk. Isabelle’s fencing equipment. “I assumed you would. I’m sorry, Sol.”
He was quiet for a moment, drinking me in: sneakers, leggings, still damp from a five-mile run. And then: “You cut your hair.”
I nodded, my hands rising to my neck, self-conscious. It barely reached my shoulders now. My act of defiance. “It was time for a change.”
He smiled faintly. “You’re never not beautiful, are you?”
Just then the tinted window on the passenger side rolled down and a sylphlike creature leaned out and waved. Eva. My replacement.
She was wearing an emerald-green gown. Her long, honey- colored hair twisted into a chignon. There were diamonds dan- gling from both ears. It wasn’t enough that she was some youngish, stunning, half-Dutch, half-Chinese star associate at the firm, but that she was now sitting in Daniel’s 7 Series in my driveway look- ing every bit the princess while I was dripping sweat—now, that stung.
“Fine. I’ll take them.”
“Thank you,” he said, handing over the bag. “You’re the best.” “That’s what all the boys say.”
He paused then, screwing up his aristocratic nose. I anticipated a response, but none was forthcoming. Instead he smiled blandly, leaning in to do the awkward divorcé cheek kiss. He was wearing cologne, which he’d never done in all his years with me.
I watched him make his way over to the driver’s side. “Where are you going? All dolled up . . .”
“Fund-raiser,” he said, getting into the car. “Katzenberg’s.” And with that, he pulled away. Leaving me holding the baggage.
I was not a fan of Vegas: loud, fat, dirty. The underbelly of Amer- ica convened in one garish skid mark in the desert. I’d visited once, years before, to attend a bachelorette party that I was still trying to forget. The smell of strip clubs and drugstore perfume and vomit. Those things linger. But this was not my adventure. This time I was just along for the ride. Isabelle and her friends had made that clear.
They spent that afternoon running circles around the resort on a quest to find their idols, while I followed dutifully. I had be- come accustomed to this: my passionate daughter trying any- and everything, setting her mind and forging her way. Isabelle and her American can-do spirit. There was trapeze school and figure skat- ing, musical theater, fencing . . . She was fearless, and I loved that about her, envied it even. I liked that she took risks, that she did not wait for permission, that she followed her heart. Isabelle was okay with living outside the lines.
I was hoping to convince the girls to visit the Contemporary Arts Center. It would have been nice to squeeze some real culture into the weekend. To imprint something worthwhile upon their im- pressionable minds. I’d spent countless hours trailing my mother through the Museum of Fine Arts in Boston as a child. Following the click of her Vivier heels, the scent of the custom-made fragrance she bought every summer in Grasse. How knowledgeable she was to me then, how womanly. I knew the halls of that museum as well as I knew my third-grade classroom. But Isabelle and her cohorts had balked at the idea.
“Mom, you know at any other time I would say yes. But this trip is diferent. Please?” she’d implored.
They’d come to Vegas for one reason only, and nothing would thwart their mission. “Our lives begin tonight,” Georgia, with the silky brown skin, had proclaimed on the flight in. Rose, the red- head, agreed, and the three quickly adopted it as their mantra. No expectation too high. They had their whole lives ahead of them. They were twelve.
ROBINNE LEE is an actress, writer and producer. A graduate of Yale University and Columbia Law School, Robinne was born and raised in Westchester County, New York. Robinne has numerous acting credits in both television and film, most notably opposite Will Smith in both Hitch and Seven Pounds. She recently completed shooting Fifty Shades Darker and Fifty Shades Freed, playing Ros Bailey. Robinne currently lives in Los Angeles with her husband and two children.